Passports, borders, and norms in 1847 and 2017

Before our travel through Europe, I ordered a new passport as the one I had would expire within 6 months’ time. But once inside EU, would I actually need a passport on our journey? Would one need to show any photo ID on any train or ferry?

We started our journey in Stockholm and no ID was needed. Then we took the ferry from Trelleborg (Sweden) to Travemünde (Germany) – no passport or ID was requested to pass this border. Now we were in Germany and travelling by train, and no ID was ever requested – just valid train tickets which Kerstin had on her iPhone. Augusta had spent some time with customs in Prague, but we, on our train from Bad Schandau (Germany) to Prague (Czech Republic), only had to show the electronic tickets and got reprimanded that our suitcases were in the way.

The German-Austrian border control in 1847

12 July 1847

“On July 12th we went with the steamship Germania from Schandau and arrived at Obristwy at 12 o’clock in the morning. We immediately took a diligence and arrived at Prague’s customs port at 3 o’clock in the morning. There, for another hour, we had the pleasure of staying while gentlemen police officers busied themselves with our suitcases and passports. Completely bored and exhausted, we then traveled around in search of a hotel where we could get some rest. The first one that we encountered was Hotel de Saxe, where we at 6 o’clock in the morning happily took in.”

Augusta’s description of the border control between the German Confederation and the Austrian Empire is similar to that of another Swedish woman, Sophie von Knorring, who a year earlier had made the same trip. Sophie’s husband was a baron and, according to her letters home, she took advantage of her noble name when crossing the border.

“Finally, at half past 7 in the evening, we arrived in Prague where our first entrance was unpleasant. For half an hour we had to wait in the square for the passport control, and to our chagrin, being scolded.”   …   “Eventually, a police or whatever they are called, open the door to our carriage and demanded that we step down and go into the customs office to have our luggage inspected. This didn’t take long. It was clever of us to have labelled all our belongings with Baron v. K or our coat of arms, because it protected us from the unpleasant inspections and immediately showed that we were not merchants. So far, no one has opened our trunks or night bags, and we have not given anyone any bribes. They simply say: Yes, Your Lordship certainly has nothing besides what is needed. Then, with a polite nod, they continue with the next travelers and tear up all their Gepäck.”

Traveling from Germany to Sweden via Denmark in 2017

Our return trip by train from Prague to Hamburg was also uneventful – only the one-time scanning of our tickets.

From Hamburg, we had first-class tickets all the way to Stockholm. Kerstin and I found our reserved seats and made our selves comfortable. We still had a few minutes before the train would leave when a couple approached us. The woman scrutinized our attire – our wide, long skirts and our shawls – and in a rude way demanded that we leave, as she and her companion had tickets for the same seats. So far on our trip, we had only met friendly people so we were both taken back by her hostility. We explained that we had indeed tickets to the seats where we were sitting, and questioning what tickets she had. She was adamant that we were sitting in the wrong car. Now another couple got involved and started to compare tickets as well. In the end, she was convinced that she in fact was in the wrong car. We had first-class tickets and she did not. Did we not fit the norm of first-class ticket holders? She was not very apologetic when she left the car.

We were very few people in the first-class compartment. Behind us were three young men in their late 20s. They didn’t look like business travelers, nor like guys going on vacation, and for guys travelling together, they didn’t speak much. One was sleeping with his head on the table in front of him and the other two were shifting seats. Why are we, in this day and age, easily suspicious when others don’t behave according to some norms? Did they behave differently? Not really. Maybe we are just worried about young men in a group?

We had not traveled too far when suddenly the door behind us opened and three other men entered. Everyone in the train car looked up. The first man had a short sleeve, untucked cotton shirt – a shirt suitable for a beach vacation – unusual clothing for travelling in October. He was probably in his early 50s, with thinning hair and glasses. He reminded me of actor Paul Giammati in the movie Sideways. Behind him were two younger, muscular men in black jackets and jeans. They did not smile. Now, why was I getting nervous about them? Yong men in a group, not fitting some norm of travelers?

The three men who had just entered the car surrounded the first three men and started asking questions: Where were they coming from and where were they going? Which luggage belonged to them? I didn’t hear the answers, but the new men had decided that the first men were OK.

Then the short-sleeve man came over to us. He flipped an ID badge like some serious cop in an American movie and said something in German. Was the ID badge real? Or did it say, – I am just an actor? I decided not to joke.

Where are you coming from? he asked.

Kerstin and I looked at each other – dressed in our 1840s outfits, we really did not fit any norms. We were coming from 1847 and visiting 2017. But to others, we could have belonged to some religious sect, or be refugees from a rural area where women our age would also wear wide, full-length skirts and bonnets.

Kerstin answered politely that we had traveled around Germany, and showed them all our luggage.

Everyone in the car had passed the test.

So far, we had not showed any photo ID going through any border or boarding any train or ferry. That was about to change. We were entering Denmark from Germany.

The train pulled onto the ferry between Puttgarden (Germany) and Rødby (Denmark) for a short, but stormy crossing. All passengers had to leave the train and take the steps up to the ferry restaurant. After a quick beer it was time to return to the train.

Before the first stop in Denmark, we had a visit from the Danish passport control. The first ID check on our whole trip! A Swedish man pulled out his driver’s license and was reprimanded that it was not considered a valid travel document, but they let him pass anyway.

In Copenhagen, we changed to a Swedish train and were told to have our passports ready before the first stop in Sweden. Now the Swedish police came on board – two young friendly officers, who were dressed in uniform and didn’t flash any ID badges. They wanted to see our passports but were also interested in our destinations. The three men behind us showed the officer their passports and told her that they were heading to Norway via Stockholm. Have a nice journey, said the nice-looking police woman.

My new passport had only been requested on arrival in Denmark, and in Sweden when arriving from Denmark. The reason for border police and customs inspections have certainly changed and will continue to change. And some day, the passport – a little ID booklet where border police can stamp your arrival and departure – will seem like a very inefficient way of keeping track of travelers.

Would the maid have used #MeToo?

William Hogarth (English, 1697 - 1764) Before, 1730 - 1731, Oil on canvas 40 × 33.7 cm (15 3/4 × 13 1/4 in.) The J. Paul Getty Museum, Los Angeles
William Hogarth (English, 1697 – 1764) Before, 1730 – 1731, Oil on canvas 40 × 33.7 cm (15 3/4 × 13 1/4 in.) The J. Paul Getty Museum, Los Angeles

On October 16 this year, my Facebook feed started to fill up with #MeToo – friends acknowledging that they had at some time been sexually harassed or assaulted. A simple hashtag and suddenly the whole world was talking about how men mistreat women.

It made me think of Augusta and her time period. I can’t imagine that she and her friends, who all belonged to a privileged class, would have been harassed. The men in her social sphere were chivalrous and a few made their feelings known by proposing marriage. The closest to harassment that she experienced was not physical in nature: some men let her know that they were displeased with her voicing her opinion.

But of course sexual harassment and assault existed, just as today, where men had power over women – for example, being the employer. And often, if the harassment became known, the woman was blamed.

Eva

I just thought of the maid at Loddby. Was she really as evil as Augusta had described? And who was she?

I had to drop what I was doing in order to find out who this girl was. But first some background from the diary. Why did I think of her?

Loddby, 29 August 1851

“May God forgive both August and the malicious, hateful Eva all the unhappy moments they give us. He is a weak, of alcohol destroyed creature and, therefore, he follows the directions of a bad, vindictive maid’s gossip when his senses are obscured.”

Loddby, 1 November 1851

“Eva, the wretched creature, Loddby’s evil spirit, is finally gone. God be forever praised! And I hope that it now will be a little calmer at home. She was, at the last moment, as mean and rude and deserved a good flogging if anyone had wanted to dirty their hands. She now moves to Mrs Rosendahl and will surely become a common street girl.

The new cook has arrived and looks fairly plain, but I have a panicky fear that there will be new courting, new scenes, new sorrows and more of that nature, which will never end until our Lord delivers us from the source of all evil, and that will likely not happen soon. Thus, patience, life’s most useful characteristic, don’t leave me as you have done so far.”

August is Augusta’s older brother. He does not work, has tuberculosis, and drinks. Eva, the maid, is described as someone with power over August and someone with bad morals (… will surely become a common street girl). Isn’t it more likely that August, being privileged, had power over the house maid?

Anyway, who was she? Maids are just referred to by their first name. How would I find out who, besides the family, lived at Loddby at this time?

The Swedish Household Examination Register

Sweden has had some very unique laws. One was the Swedish Church Law of 1686 which stipulated that the parish vicar was obliged to conduct household examinations, making sure the parishioners knew the Bible and Luther’s Small Catechism. The results, in addition to some other information regarding each household, was then recorded in a parish register. A consequence of this law was eradication of illiteracy as all children were taught to read in parish schools. A curious detail too, is the recording of smallpox vaccinations which were initiated in 1804. It became the vicar’s role to keep track of vaccinations.

The household examination register in Kvillinge Parish, to which Loddby belonged, would definitely have the records for all who lived at Loddby manor.

And it did! And it was available online.

 Household Examination Record for Loddby 1841-1844
Household Examination Record for Loddby 1841-1844

 

The time period I looked at was 1841-1844. The persons living at Loddby manor in 1844 were:

Gustaf Lejdenfrost (Augusta’s brother-in-law and owner of Loddby), born 1799
Anna Söderholm (Augusta’s mother), born 1788
August Söderholm (Augusta’s brother), born 1817
Augusta Söderholm, born 1827
Stina Malla Kullerstrand (maid), born 1815
Eva Sara Sandberg (maid), born 1818

I had found Eva!

In 1851, she was 33 years old and August was 34. Would she have used #MeToo about the drunk man who she had to serve on daily, or was she, as Augusta suggested, taking advantage of August. We will never know.

I guess my next task is to find out more about Eva’s life. There are more digitized records online …

Dressed for Travelling, Hiking, and a Visit to the Opera

Packing for the trip through Germany

I really dread packing. My suitcase always seems too small and my clothes inevitably weigh too much. And then I throw in things that I might need and would regret if I hadn’t brought along. The luggage scale is my enemy.

Packing for our trip in Germany was a different challenge. We would be travelling by train and there were no limitations to weight or size, except for the fact that we would have to manage our luggage between trains and hotels. Augusta would probably have packed her outfits in a trunk. Porters and maybe “Lohnbediente” (servants for hire) would have taken care of the luggage.  I imagine that she would have carried a small bag with her on the train, in addition to a reticule or a small purse.

The first thing I did was to buy a new suitcase with a matching bag in an antique-looking paisley pattern.  I was not going to travel with my home-made carpet bag and hat boxes. And definitely, no trunks!

So what kind of clothes did I bring?

  1. One brown wool dress for hiking and inclement weather
  2. One green-and-yellow checkered heavy cotton dress for travelling
  3. Two skirts with white blouses and cardigans – all in thin cotton – for sunny weather
  4. One silk ball-gown for the opera visit and Kerstin’s birthday dinner
  5. One green wool pelerine (short cape covering the shoulders)
  6. Five shawls, three pairs of gloves, and three white collars
  7. Two bonnets and a cotton lace cap
  8. Two petticoats
  9. Pantaloons and silk stockings
  10. Walking shoes and shoes for the opera visit
  11. Emergency jeans, t-shirts, and a puffer jacket, just in case….

In addition, I brought a hand fan, an umbrella, a parasol, opera glasses, a reticule, an embroidered purse, jewelry, hat pins, and hair ribbons.

And then there were guide books, reading material, a diary, and a sketch book; wool for knitting, protein bars for days we might not easily find allergy-suitable food, and emergency kits. Not to mention, lots of safety pins.

And of course, what Augusta could not have dreamt of: iPhones, chargers, and extra batteries.

For the record, I didn’t bring my laced corset even though I spent a lot of time making one. I figured, no one would know and it isn’t a very comfortable piece of clothing.

 What to wear?

Getting dresses in the 1840s took time and one would need help with dresses that had hooks and eyes for closure in the back. One would also need help with braiding and putting up the hair in the style of the times.

Every morning, Kerstin and I picked clothing based on the weather. If it was going to rain or be chilly, the wool dress with a shawl was perfect. For train travelling, I preferred the green-and-yellow checkered cotton dress with the green pelerine. And on a few sunny days in Lubeck, I did have use for my cotton skirts.

So what did I learn?

Shawls are great!

The wool pelerine was very useful when it was drizzling and cold.

Bonnets are great when it is windy and cold.

Fingerless gloves are beautiful and perfect when using an iPhone.

Dupioni (silk), which we used in our ball gowns, is a great fabric – it is very light and it doesn’t wrinkle. Why aren’t more clothes made of this beautiful material?

Walking around in cotton pantaloons (I even bought a pair of flannel pajama paints from H&M – same thing really) under 2 starched petticoats and a dress or a skirt is great! With the layering, you are never too hot or cold. And I loved the rustling sound of the starched petticoats when walking!

One evening, when we had to find a restaurant in Berlin and it was raining, we decided to just put on jeans – returning to present time! There were four revelations: 1. Getting dressed took less than a minute, 2. Walking didn’t make any rustling sound, 3. You almost felt indecent not wearing a full length skirt and no head covering, and 4. You became invisible – you looked like the rest of the people on the sidewalks and no one took any notice of you.

What will I incorporate in my 2017 every-day wardrobe?

Definitely lots of shawls. Fingerless gloves. Clothes made of wool and silk. And when at home, definitely pajama pants!

Album of the wardrobe

The green-and-yellow checkered heavy cotton dress:
The brown wool dress:
The cotton skirts:
The dupioni-silk, ball gown worn at Semperoper in Dresden:
Gloves and a few accessories:
Shawls and bonnets

The Madonna in Dresden

When Augusta mentioned that Dresden’s art gallery was “indisputable the most pleasant reminder of the Kings of Saxony’s appreciation for art” and “held in the highest esteem by the entire travelling and educated world” I was looking forward to visiting the Gemaldegalerie Alte Meister.

She especially mentioned a painting by Rafael:

    “Naturally, we spent most of our time in the room where the world-renowned Madonna di San Sisto, and other excellent paintings of Rafael are shown.”

Augusta was not the only Swedish traveler who mentioned this room and the Madonna painting. Sophie von Knorring was a Swedish writer who visited Dresden in 1846, a year before Augusta. She published a book from her letters home:

    “With the catalog in hand and  having walked through several rooms,  we finally arrived in the room where Rafael’s masterpiece, the world-renowned Madonna is hanging. But no! We could not see much of it! The heavenly-wonderful painting was hidden by a large framework and by a painting, on which the Madonna in the same size was being copied – and the copyist was a woman!”

Sophie von Knorring (1797 – 1848). Drawing by Maria Röhl (1801 - 1875).
Sophie von Knorring (1797 – 1848). Drawing by Maria Röhl (1801 – 1875).

Sophie von Knorring  voiced her irritation at not being able to see the original, and she also did not approve of a woman painter.

Her companion tried to placate her by praising the copyist’s work.

    “You have to admit that her work is beautiful.”

But Sophie was so upset that she didn’t even want to glance at the copied work. Then she heard, from the top of the scaffolding, in clear Swedish:

    “Oh, I hear that you are my fellow countrymen, and I am sorry that I am in the way for everyone, but especially for you!”

The painter was Sophie Adlersparre, a young Swedish woman who was studying art in Dresden. Her education there was financed by Queen Josefine of Sweden.

Sophie Adlersparre descended from the scaffolding and joined Sophie von Knorring and her companion and was happy to give them a guided tour through the museum. All was well again.

Sophie Adlersparre (1808-1862) self portrait.
Sophie Adlersparre (1808-1862) self portrait.

And now, we were visiting the famous gallery, on a windy, rainy October day – 170 years after Agusuta’s visit. I have to admit, that I have never taken an art history class. And I didn’t even look up the painting before visiting the gallery in Dresden – I wanted the painting to be a surprise.

After walking through several floors and many rooms of Renaissance paintings, we finally stood in front of Rafael’s The Sistine Madonna or The Madonna di San Sisto. At that time, I wished I would have known more about the painting. All I knew was that Augusta had stood in awe in front of this painting and that Sophie von Knorring had met Sophie Adlersparre in this room.

I didn’t know that Dostoyevsky had described the painting as “the greatest revelation of the human spirit”.

I also didn’t know that during WWII, the painting was stored in a tunnel in Saxon Switzerland (maybe close to where we were hiking?) and then brought to Moscow before returning to Dresden in 1955.

St. Olav’s Cathedral in Oslo
St. Olav’s Cathedral in Oslo

I was still more interested in the undocumented, personal story. For example, what happened to Sophie Adlersparre’s copy that she was working on? After some searching, I found it. Queen Josefine had gifted it to the Catholic Church in Oslo, Norway: St. Olav’s Cathedral, where it can still be seen at the right of the altar.

But the biggest surprise of all were the cherubs at the bottom of the painting! I had no idea that those famous cherubs were part of a larger painting, and now I have seen the original – thanks to Augusta’s diary.

Part of Rafael's The Madonna di San Sisto
Part of Rafael’s The Madonna di San Sisto

We are off to Germany!

Stockholm, 27 October 2017.

Tomorrow, we are taking off for Germany!  Our journey starts from the Central Station in Stockholm and the train will take us to Southern Sweden where we will take the overnight ferry to Germany.  We will be visiting Lübeck, Berlin, Dresden, Bad Schandau, Prague, and Hamburg before we return to Stockholm on the 12th of October.

During our 2-week  journey, we will be posting to Facebook and Instagram. Please look for updates from our journey there:

Facebook: https://www.facebook.com/augustasresa/

At the bottom of this web page, you can also see the pictures we are posting on Facebook och Instagram.

 

 

Augusta’s Visit to the Semperoper in Dresden

 

Augusta had a deep interest in music and she had a good voice. She even had a waltz dedicated to her: “La Belle du Nord – Valse pour le Piano. Offerte à Mademoiselle Augusta Söderholm par Gustav Eklund.”

Augusta took singing lessons from one of Stockholm’s famous opera singers, Mr. Isidor Dannström. He was already famous in the 1840’s along with Jenny Lind. So when Augusta and her mother traveled through Germany in 1847, they made sure to visit the opera in both Berlin and Dresden.

The opera in Dresden was designed by architect Gottfried Semper. When Augusta visited the magnificent opera house – the Semperoper – it was new, having opened in 1841.

 

Dresden, July 1847

In the evening we went to the Opera where the walls are blue and white with gold. The cushions and chairs are covered with red velvet. Irresistibly, however, one’s gaze is drawn to the circular, white ceiling which is adorned with golden arabesques and four oval medallions depicting in allegorical figures – the music, the tragedy, the comedy, and the arts – painted in the clearest of colors. Between them, four smaller medallions appear which represent Goethe’s, Schiller’s, Mozart’s, and Beethoven’s portraits. A tasteful lamp with 96 gas flames throw their rays over this masterpiece. The curtain is made of red velvet with golden fringes and it hangs with beautiful folds. The foyer is semicircular, from which glass doors lead into the loges. The walls in this foyer are white lacquered and the only ornaments are rich, bronze candelabra which are surrounded by milk-white glass. By the windows are placed elegant couches with large mirrors above which are niches with busts of Weber, Mozart, and Lessing.

 

 

Unfortunately, the opera house was destroyed by fire in 1869. It was rebuilt and opened again in 1878. The Semperoper was again destroyed during the bombing of Dresden in 1945, and again rebuilt in 1985.

On the 4th of  October, we are delighted to have tickets to the Semperoper – we will be thinking of Augusta!

The Family Tesdorpf – Wine merchants in Lübeck and Norrköping

Lübeck and the Buddenbrooks
Lübeck and the Buddenbrooks

The Business Contacts in Lübeck

We have never been to Lübeck. Nevertheless, each day, we walk the streets of Lübeck, but in the world described by Thomas Mann in his book about the family Buddenbrooks. It is a fascinating book about 4 generations of a bourgeoisie family in the old town of Lübeck in the 1800s. Augusta’s world, but in Germany!

Augusta started her journey in Lübeck in July of 1847 and, therefore, that is where we will also start our journey through Germany.

Augusta brother-in-law, Gustaf Lejdenfrost, was a textile manufacturer and later a wool importer with business connections in Lübeck. The business contact was A.P. Rehder, whose family took care of Augusta and her mother on their arrival.

The Rehders lived at Alfstrasse 72 (in today’s numbering, Alfstrasse 41). When looking up the address in Google Maps, a familiar name showed up on a parallel street, Mengstrasse: Weinhandel Tesdorpf. One of Augusta’s best friend at home in Norrköping was Mina (Vilhelmina) Tesdorpf, whose father was the wine merchant in town! This could not be a coincident.

A genealogy search revealed that Mina was indeed related to the Tesdorpf family with the wine shop on Mengstrasse. Mina’s grandfather was Peter Hinrich Tesdorpf (1746-1811), who in 1782 married Susanne Schyler in Bordeaux. Mina’s father, Johan Jakob Tesdorpf (b. 1799), was the youngest of 8 children. He moved to Sweden and established himself in Norrköping as a wine retailer. He became very successful and his house in Norrköping is still standing.

Johan Jakob Tesdorpf
Johan Jakob Tesdorpf

Besides Johan Jacob Tesdorpf, his nephew, Franz Hinrich Tesdorpf, was also a wine merchant in Norrköping.

Did Augusta visit the Tesdorpf’s in Lübeck? She doesn’t mention them in her diary. But we will sure visit Weinhandel Tesdorpf  on our trip and try some of their famous Rotspon.

_____________

The history of Johan Jakob Tesdorpf  (in Swedish) can be found at https://norrkopingprojekt.wordpress.com/historia/norrkopings-gamla-gardar-och-hus/del-6-tesdorpfska-huset/

Mina Tesdorpf married Albert Schubert who was related to Augusta.  They had 11 children of which  5 survived. Their life story can be found at http://www.augustasresa.se/familj/en-kvinnas-sorg-pa-1800-talet/

The Irish Gloves

Fingerless, Irish Crochet Lace Gloves
Fingerless, Irish Crochet Lace Gloves

During Augusta’s time, women in her circles would have worn gloves. Men also wore gloves – all the time. There were lots of etiquette rules about when you could take them off, how to take them off, and what to do with them when eating.

Fashion dictated the length, material, and color of the gloves.

And then there were fingerless gloves. Fingerless gloves were often knitted or crocheted, and light or white in color. They allowed the woman to write and embroider without having to remove her gloves. Another advantage was that she could wear and display any expensive rings she might have, while still being modest and elegant.

Eureka! Fingerless gloves would be perfect for texting – Kerstin and I could be modest and elegant and display our rings AND we could use our iPhones without having to remove our gloves according to some complicated etiquette rules!

What you need for your iPhone
What you need for your iPhone

Margie, my longtime friend and kindred spirit – always up for creative projects – had invited me over to her house for doing creative art. And, she had already done research on the kind of gloves I might need for Augusta’s Journey.

– Did you know that during the Irish Potato Famine, the women of Ireland resorted to producing beautiful crochet lace in order to help their families, and that Queen Victoria’s interest in the Irish crocheted lace made it fashionable in England?

I had no idea! I had only admired the interesting, 3-dimensional characteristics of Irish crochet.

Would any Irish crocheted lace have reached Sweden in the 1850s? Maybe.

Would I like to get a pair of such, fingerless gloves? Of course; I would love too!!!

Next week, Margie presented me with these beautiful, well-fitting, white lace gloves. She had even embellished them with 3-dimensional little Irish roses – all made in Irish Crochet! What a gift!

Little Irish Roses
Little Irish Roses

It will be great on the trip – I will be very fashionable while taking pictures with my iPhone. I might even be able to write a real letter with a quill pen without having to take them off!

Thanks Margie!

 

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