Would the maid have used #MeToo?

William Hogarth (English, 1697 - 1764) Before, 1730 - 1731, Oil on canvas 40 × 33.7 cm (15 3/4 × 13 1/4 in.) The J. Paul Getty Museum, Los Angeles
William Hogarth (English, 1697 – 1764) Before, 1730 – 1731, Oil on canvas 40 × 33.7 cm (15 3/4 × 13 1/4 in.) The J. Paul Getty Museum, Los Angeles

On October 16 this year, my Facebook feed started to fill up with #MeToo – friends acknowledging that they had at some time been sexually harassed or assaulted. A simple hashtag and suddenly the whole world was talking about how men mistreat women.

It made me think of Augusta and her time period. I can’t imagine that she and her friends, who all belonged to a privileged class, would have been harassed. The men in her social sphere were chivalrous and a few made their feelings known by proposing marriage. The closest to harassment that she experienced was not physical in nature: some men let her know that they were displeased with her voicing her opinion.

But of course sexual harassment and assault existed, just as today, where men had power over women – for example, being the employer. And often, if the harassment became known, the woman was blamed.

Eva

I just thought of the maid at Loddby. Was she really as evil as Augusta had described? And who was she?

I had to drop what I was doing in order to find out who this girl was. But first some background from the diary. Why did I think of her?

Loddby, 29 August 1851

“May God forgive both August and the malicious, hateful Eva all the unhappy moments they give us. He is a weak, of alcohol destroyed creature and, therefore, he follows the directions of a bad, vindictive maid’s gossip when his senses are obscured.”

Loddby, 1 November 1851

“Eva, the wretched creature, Loddby’s evil spirit, is finally gone. God be forever praised! And I hope that it now will be a little calmer at home. She was, at the last moment, as mean and rude and deserved a good flogging if anyone had wanted to dirty their hands. She now moves to Mrs Rosendahl and will surely become a common street girl.

The new cook has arrived and looks fairly plain, but I have a panicky fear that there will be new courting, new scenes, new sorrows and more of that nature, which will never end until our Lord delivers us from the source of all evil, and that will likely not happen soon. Thus, patience, life’s most useful characteristic, don’t leave me as you have done so far.”

August is Augusta’s older brother. He does not work, has tuberculosis, and drinks. Eva, the maid, is described as someone with power over August and someone with bad morals (… will surely become a common street girl). Isn’t it more likely that August, being privileged, had power over the house maid?

Anyway, who was she? Maids are just referred to by their first name. How would I find out who, besides the family, lived at Loddby at this time?

The Swedish Household Examination Register

Sweden has had some very unique laws. One was the Swedish Church Law of 1686 which stipulated that the parish vicar was obliged to conduct household examinations, making sure the parishioners knew the Bible and Luther’s Small Catechism. The results, in addition to some other information regarding each household, was then recorded in a parish register. A consequence of this law was eradication of illiteracy as all children were taught to read in parish schools. A curious detail too, is the recording of smallpox vaccinations which were initiated in 1804. It became the vicar’s role to keep track of vaccinations.

The household examination register in Kvillinge Parish, to which Loddby belonged, would definitely have the records for all who lived at Loddby manor.

And it did! And it was available online.

 Household Examination Record for Loddby 1841-1844
Household Examination Record for Loddby 1841-1844

 

The time period I looked at was 1841-1844. The persons living at Loddby manor in 1844 were:

Gustaf Lejdenfrost (Augusta’s brother-in-law and owner of Loddby), born 1799
Anna Söderholm (Augusta’s mother), born 1788
August Söderholm (Augusta’s brother), born 1817
Augusta Söderholm, born 1827
Stina Malla Kullerstrand (maid), born 1815
Eva Sara Sandberg (maid), born 1818

I had found Eva!

In 1851, she was 33 years old and August was 34. Would she have used #MeToo about the drunk man who she had to serve on daily, or was she, as Augusta suggested, taking advantage of August. We will never know.

I guess my next task is to find out more about Eva’s life. There are more digitized records online …

Augusta’s Visit to the Semperoper in Dresden

 

Augusta had a deep interest in music and she had a good voice. She even had a waltz dedicated to her: “La Belle du Nord – Valse pour le Piano. Offerte à Mademoiselle Augusta Söderholm par Gustav Eklund.”

Augusta took singing lessons from one of Stockholm’s famous opera singers, Mr. Isidor Dannström. He was already famous in the 1840’s along with Jenny Lind. So when Augusta and her mother traveled through Germany in 1847, they made sure to visit the opera in both Berlin and Dresden.

The opera in Dresden was designed by architect Gottfried Semper. When Augusta visited the magnificent opera house – the Semperoper – it was new, having opened in 1841.

 

Dresden, July 1847

In the evening we went to the Opera where the walls are blue and white with gold. The cushions and chairs are covered with red velvet. Irresistibly, however, one’s gaze is drawn to the circular, white ceiling which is adorned with golden arabesques and four oval medallions depicting in allegorical figures – the music, the tragedy, the comedy, and the arts – painted in the clearest of colors. Between them, four smaller medallions appear which represent Goethe’s, Schiller’s, Mozart’s, and Beethoven’s portraits. A tasteful lamp with 96 gas flames throw their rays over this masterpiece. The curtain is made of red velvet with golden fringes and it hangs with beautiful folds. The foyer is semicircular, from which glass doors lead into the loges. The walls in this foyer are white lacquered and the only ornaments are rich, bronze candelabra which are surrounded by milk-white glass. By the windows are placed elegant couches with large mirrors above which are niches with busts of Weber, Mozart, and Lessing.

 

 

Unfortunately, the opera house was destroyed by fire in 1869. It was rebuilt and opened again in 1878. The Semperoper was again destroyed during the bombing of Dresden in 1945, and again rebuilt in 1985.

On the 4th of  October, we are delighted to have tickets to the Semperoper – we will be thinking of Augusta!

The famous Hotel de Saxe in Dresden, Germany

Hotel de Saxe, Dresden
Hotel de Saxe, Dresden

Dresden, 9 July 1847

“Early in the morning on the 5 July, we left Berlin behind us and arrived in the evening to the so highly praised Dresden, where we are staying at Hôtel de Saxe, the city’s most splendid hotel.

Our stay here at Hôtel de Saxe is very nice and I would say elegant, if I had not just arrived from Berlin, with its fabulous, luxurious furnishings. There are certainly not, as at Hôtel de Rome, six or seven doormen in livery to greet you on the stairs and to take the things you carry. I have to admit that these elegant and conversable domestics made me embarrassed upon my arrival in the great Prussian capital. Here in Dresden, you miss the elegant, carpeted vestibules and staircases, this wealth of stuffed armchairs, canapés, and sofas; however, Hôtel de Saxe, although not as brilliant as Hôtel de Rome, is both gentile and comfortable.”

Augusta is not the only Swedish woman who has written about Hotel de Saxe. We recently found the writings of Sophie von Knorring who published “Letters home during a summer trip 1846” (Swedish: Bref till hemmet under en sommarresa 1846 av Författarinnan till kusinerna). Like Augusta, she also traveled through Germany and documented her journey. Sophie wrote that they absolutely wanted to stay at Hôtel de Saxe “which is perfectly situated by the grand market at Neumarkt; close to theater, museum, the royal palace, and everything that is worth seeing.” Unfortunately, they did not get rooms on the first floor, but had to go upstairs which seemed to be a big problem for Sophie. But they slept well and met many other Swedes staying at the hotel.

 

Hotel de Saxe and Franz Liszt

Hotel de Saxe was indeed perfectly situated. It was also famous and had a concert hall. In 1840, Hungarian composer and pianist Franz Liszt stayed at the hotel and gave a concert:

“Liszt arrived in Dresden on the morning of 14 March and secured rooms for himself and his entourage at the Hôtel de Saxe. No soon had he unpacked his bags, however, than he was asked to perform privately at two soirees. At one of these events he joined Dresden violinist Karl Lipinski in a Beethoven violin sonata. Gossip about Liszt must have whetted the appetites of Dresden concert-goers, for the crowded hall of his hotel fell silent, then burst into applause, when he stepped to the piano at his first public appearance on 16 March.”

In 1844, Liszt returned to Dresden and again lodged at Hotel de Saxe and again gave a performance at the hotel.

Franz Liszt Fantasizing at the Piano (1840), by Josef Danhauser
Franz Liszt Fantasizing at the Piano (1840), by Josef Danhauser

 

Hotel de Saxe and Bradshaw’s Illustrated Guides

The hotel continued to be a premier hotel in Dresden. Bradshaw’s Continental Railway, Steam Navigation & Conveyance Guide (1853) describes the hotel as “a first-rate, capital house, highly recommended” and includes the following advertisement:

Hotel de Saxe – This old-established House, having upwards of 250 beds, reputed one of the best in Europe, is still conducted with the utmost attention to cleanliness and comfort, which has hitherto given so much satisfaction the English Nobility and Gentry. This { ? } will be found one of the largest and most comfortable. Baths in the house.

Bradshaw’s Illustrated Hand-Book to Germany (1873), lists Hotel de Saxe as “old established, first-class”.

 

So what happened to Hotel de Saxe?

Hotel de Saxe

The hotel was demolished in 1888 and replaced by a neo-baroque post office. During the bombing of Dresden in 1945 and the resulting firestorm, the Neumarkt area was completely destroyed. After the German reunification in 1990, a decision was made to restore Neumarkt. One of the buildings to be restored was Hotel de Saxe. In April 2006, Hotel de Saxe again welcomed guests to Dresden.

Wouldn’t it be fantastic if we could re-create Augusta’s stay at Hotel de Saxe!

 

 

 

 

 

 

Exactly a month until we travel in Germany

Dresden Opera House
Dresden Opera House

In exactly a month, on the 28th of September, Kerstin and I will be boarding an early morning train at Stockholm Central station to trace Augusta’s journey though Germany. Obviously, there will be no steam engines and no hustle and bustle on the platform; no carriers of large trunks and no women in elegant Victorian attire – except for us! We will be there, dressed in our fall dresses, capes, and bonnets – a la mode of 1847 – mingling with morning commuters.

The train ride south is the start of our 2-week, European journey. We are going to travel like two sisters would have traveled in 1847, and with Augusta’s diary as our guide book.

But before we take off on this exciting journey, we have to finish our wardrobe. We need outfits for all kinds of weather and for opera visits and mountain hiking – all the things Augusta did on her journey.

The Wooden Bastei Bridge in 1826
The Wooden Bastei Bridge in Saxon Switzerland

We have no idea what clothes she brought or how she packed. So far, I have made one fall dress with a matching wool pelerine (short cape) and bonnet, and a ball gown in fine muslin (aka Walmart $4 cotton). I have 2 weeks to make a silk ball gown and 2 more dresses! But how wonderful it will be to hike in Saxon Switzerland National Park, in a dress with several layers of petticoats. And I am hoping for brilliant fall colors.

The journey has been planned in detail and we are going to visit all the churches, palaces, and museums that Augusta described. Besides hiking, we will take a steam boat on River Elbe and a steam-engine train in Dresden. And we hope to get tickets to the opera as well.

We are looking forward to meeting a lot of interesting and interested people on our journey. That is something we experienced when we did the Göta Canal cruise – you make new friends along the way.

Our time table looks like this:

Time Table

If you happen to be in the surroundings – let us know! Maybe we can have a cup of caffe or a glace together.

But rest assure – we will be uploading pictures and blogging during our journey!

The First Train Ride

The Railroad to Berlin
The Railroad to Berlin

After having spent a week in Lübeck, Augusta and her mother leave for Berlin. The weather is rather miserable but they enjoy passing the “enchanting” little town of Ratzeburg. After Ratzeburg, the landscape is flat and infertile, but the scenery is not important to Augusta – she is excited about getting to Schwarzenbek where the railroad starts.

There were no railroads in Sweden in 1847 (the first local railroads opened in 1856 – after Augusta’s life time – and the railroad from Stockholm to Göteborg didn’t open until 1862).

I can almost envision Augusta and her mother when they finally are about to board the train – the novel and controversial mode of transportation. Augusta is waiting to step up into the train compartment, following her mother. Her mother’s wide dress fills the entire entrance to the compartment. When it is Augusta’s turn to step up, she gathers her skirt with her left hand. In her right hand, she is carrying a fashionable little reticule, a rolled-up travel blanket, and a parasol. The rest of the luggage has been left with the porters.

Now she will get to see the interior of a train car; this is what she has been looking forward to – and to experience the dizzying speed of a train ride. She is almost overwhelmed by what she sees and wonders how she will describe this luxury to her friends back home. She will not have a chance to write it down in her small diary until they have arrived at Hotel de Rome in Berlin and she has a desk to write on.

“Quite curious whether the journey in the so highly praised steam cars would please me, I waited with the utmost impatience for the train, which soon arrived. The first entrance in the wagon pleased me immensely. One was by Monsieur le Conducteur locked in a small delightful cabinet, with a ceiling lamp and four stuffed sofas, two and two against each other. The train started and I felt like I was flying through the air. In the distance, however, one could see the objects one passed, but as the whole of the Prussian countryside was ugly, I did not pay any attention to the scenery but instead conversed with my neighbors who, with the usual German talkativeness, informed us of everything we wanted to know for our stay in Berlin.”

Maybe the compartment looked like the one in Abraham Soloman’s 1854 controversial painting of flirtation in a first-class cabin while the girl’s father is asleep.

Abraham Soloman. First Class - The Meeting (original version) 1854
Abraham Soloman. First Class – The Meeting (original version) 1854

Soloman then re-painted the scene according to Victorian morals – now with the young man talking to the father.

Abraham Solomon (1824-1862) First Class - The Meeting (Revised Version)
Abraham Solomon (1824-1862) First Class – The Meeting (Revised Version)

Or maybe the compartment looked like the one in August Leopold Egg’s 1862 famous painting: The Travelling Companions.

The Travelling Companions
The Travelling Companions 1862

Now Kerstin and I are planning our travels by train through Germany. Hopefully the compartments will be just as cozy and the trains alot faster.

 

 

 

 

 

 

AP Rehder and his daughter Mathilde

At this time last year, Kerstin and I hatched the idea of making the same trip through Germany that our great-great-grandmother Augusta had made in 1847, and which she described in her diary. We thought it would be an interesting vacation trip. Then we realized that we needed to find out more about Augusta and her life in Sweden in the mid-1800s. We also wanted to share what we found, and we named the project Augusta’s Journey. And what a fun journey it has been!

Where has Augusta’s Journey taken us this last year?

Over the last year, Augusta’s Journey has evolved into a multifaceted research project – there are just so many topics that are interesting. In addition, we decided to make clothes that Augusta would have worn, and travel by similar means, following her travels described in her diary. And yes, she didn’t only travel to Germany, but made many trips throughout Sweden.

Kerstin and Sara
Kerstin and Sara

The highlight so far was our journey on Göta Canal where we, dressed in 1850s clothing, spent 4 days on M/S Juno, the world’s oldest registered cruise ship, making the same journey that Augusta described in her diary.

But the most positive outcome of our journey has been the new friends we have made over the year. And the positive comments from all who have been following our journey! Augusta’s family has certainly grown. So thank you for all kind support and interest!

What is next?

We thought that the journey through Germany, dressed in clothing of the time, might be nice to make this fall. But that would also mean making new clothes for colder weather. And travelling by train and river boats would necessitate some smart solutions to “luggage”. Whatever we bring, we will have to carry with us, and we would not have the same luxury as Augusta had – hiring local servants. The hatboxes would definitely have to be left behind (even though they were very good laptop bags on the Göta Canal cruise).

Lejdenfrost’s business contact: AP Rehder

Kerstin has already started researching Lübeck – our starting point in Germany. Gustaf Lejdenfrost, Augusta’s brother-in-law, had a business contact in Lübeck with the name of August Peter (AP) Rehder. In the summer of 1847, Augusta and her mother were invited to travel with Lejdenfrost to Lübeck and meet the family Rehder. This would also be a great opportunity for Augusta and her mother to do a sightseeing trip to Berlin, Dresden, Potsdam, Prague, Leipzig, and Hamburg.

Augusta’s Travel Journal in Germany

At 6 am on the 20th of June, 1847, Augusta, her mother, and Lejdenfrost arrived by boat to Travemünde and had breakfast “together with some members of the lovely Rehder family who had come to meet us.” After some sightseeing, they all traveled to Lübeck.

Adolph Menzel: Bauplatz mit Weiden

For dinner we were invited to Rehders and we spent the afternoon in a beautiful garden outside the city, where there was music and where we played games like ‘last couple out’, ‘one hits the third’ and others.”

Wouldn’t it be nice to find out more about the Rehder family? Who were they, and what happened to the family. Are there still descendants somewhere in the world, or some still in Lübeck who we could visit?

This week, Kerstin handed me the baton – she was already digging into the history of the Tesdorpf family in Lübeck and their relationship to Augusta’s friend Mina Tesdorpf. But she had found a hotel that might be Rehders’ old house – there was just some issues with the street numbers …

Hotel Anno 1216

Alfstrasse 38
Alfstrasse 38

“Behind the façade of one of the oldest brick buildings of Lübeck is a small, exclusive hotel like no other…” reads the welcome page of Hotel Anno 1216. The history of the house is indeed interesting “The historic building stands on the corner of Alfstrasse and An der Untertrave, thus occupying an important strategic position within the original street network of the newly founded settlement of traders. The first written reference to the house dates back to 1305.”

This is where my sleuthing starts. Of course there is a book one can buy about this house (Alfstrasse 38), but there are always online archives that will provide the same information. After some digging, I find the owner list of this house going back to 1305. And yes, AP Rehder bought the house in 1853 and sold it in 1863.

So, when Augusta visited in 1847, Rehder had not yet bought Alfstrasse 38, but lived right across the street from Hotel Anno 1216, at the opposite corner of Alfstrasse and An der Untertrave (today Alfstrasse 41).

The issue with the street numbers can quickly be resolved. The street numbers changed over the years but those on a city map from 1840 match Rehder’s addresses in the digitally available address books of inhabitants of Lübeck at the time.

Carolina Mathilde Rehder

Besides AP Rehder, his daughter Mathilde is mentioned by name. She became a good friend to Augusta, and when, after 4 weeks in Germany, they returned to Sweden, Mathilde and her father came along. Mathilde spent a couple of weeks with Augusta, first in Stockholm and then at her home, Loddby. Augusta was 20 years old and Mathilde was 19 and they became best friends. I wonder if Mathilde also kept a journal?

“In Stockholm we spent a few days to show Mathilda its beautiful surroundings and places that could be worth seeing. She found our capital, if not magnificent or spectacular – characteristics that we ourselves must admit it does not possess – at least, as she expressed, “sehr gemüthlich”, and our park, Djurgården, won her undivided approval.

It does not take many days to take in all of Stockholm’s “Sehenswürdigkeiten” and on the 3rd day after our arrival, we traveled with Raketen and Captain Sandberg to Norrköping.

Mathilda spent two weeks at Loddby; then her father came to pick her up and Lejdenfrost and I accompanied them to Norsholm, where we bade them farewell after a long and nice time together.”

So what happened to 19-year old Mathilde?

She married Cay Dietrich Lienau and had several children, the exact number we don’t know. Three children can be found on various genealogy sites: Paul Adolph Wilhelm (b. 1855), Cay Dietrich (b. 1867) and Louise “Lizzie” (b. 1869).

Louise emigrated to USA. She was married to Wilhelm Grojitzki who was also born in Germany. They settled in Michigan and had 3 children:
Amand Clara, born in 1889, married William Fredrick Lienau and had 5 children,
Clara Louise, born in 1891, married George H. Lozer, and
Alma Rowena, born in 1904, married Theodore John Kratt and had 2 children

So at least in the US, someone can call Mathilde his or her great-great-grandmother, just like Augusta was ours.

A Significant Letter

Gustaf Leidenfrost's seal
Gustaf Leidenfrost’s seal

Of course, today we usually don’t get letters – we get emails and text messages. But this could have been a letter – and it was so significant.

Kerstin and I received an email from a 5th degree cousin who had stumbled upon our blog. That is, our respective grandparents’ grandparents’ fathers were brothers – Augusta’s father (Johan Peter Söderholm) and Carl Adam Söderholm.

Our cousin belongs to the family Schubert whose members are frequently mentioned in Augusta’s diary. The Schubert family lived in Norrköping and also had a country home, Fullerstad, close to Söderköping. Kerstin and I visited those places earlier this spring and wrote about two of the sisters Schubert, Mina Schubert and Hanna Schubert.

What is so significant is that we have, in parallel, been researching our families’ lives! I am sure we all have unanswered questions about our families.

One question I have been trying to answer is how Augusta’s sister Amalia met her husband Gustaf Leidenfrost (several different spellings of his last name exists. )

Fredrik Gustaf Leidenfrost was born on Christmas Eve, 1798, in Vimmerby. His parents were Christian Friedrich Leidenfrost (1748-1823), an apothecary, and Birgitta Maria von Sydow (1768-1810); he was one of their 7 children.

From his birth until he marries Augusta’s sister Amalia in 1832, at age 34, we don’t know much about his life. We know that when they got married, he was one of the successful textile-mill owners in Norrköping and that he had bought the estate, Loddby.

An interesting coincidence is that on the Schubert side of the family, Augusta’s close cousin, Carolina, also had married one of the leading textile-mill owner in Norrköping – Johan Jacob Schubert – in 1824.

Norrköping must have been a very small, although increasingly important town in the mid-1800s, with textile-mill owners even being connected by family ties.

Maybe we will find out more about the connections between our two families over coffee with our new-found cousin tomorrow!

 

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