Musings on a ball

Stockholm,16 March 1851

Last Friday, I accompanied the Theodors to a dance soirée at The Bourse. It was pretty animated and, in the words of the Ribbings, it was “la crème de la socialite” who from the gallery looked down on the dancing youth – a colorful crowd of blue, white, red, and yellow ball gowns with matching flower garlands under which one often saw a beautiful face.

Men of la beau monde, with and without uniforms, swarmed around in the richly illuminated, beautiful hall where joy seemed to be the evening’s heavenly patron. It was thus, as it is called in Stockholm, “a beautiful ball”, but God knows that I did feel a sense of regret when recalling memories from six years ago and saw myself – with a completely different feeling of joy – flying around the hall in a lively Strauss waltz. At that time, in a moment of happiness, I forgot everything around me. In this moment, on the contrary, I felt both hot and tired. At that time, I was close to despair when the final notes of the last dance died away. At this time, I was quite pleased when I finally sat in the covered sleigh on my way home.

Leaving the ball – Illustration in Alexander Dumas La Dame aux Camelias

The poetic rosy light in which I had experienced the goddess of dance had disappeared, and the interesting light in which I had viewed the male courtiers and dancers was, unhelpfully, gone and everything was surrounded by the prosaic reality that, with few exceptions, showed me the flattering men as a mindless and thoughtless crowd, who, like parrots, repeated these flashy, shallow, meaningless lines, which sound pretty good to a seventeen-year-old’s ears, but later sound stupid and meaningless. I danced every dance, was asked to dance even more, talked a lot of meaningless nonsense, heard even more of it, and eventually became tired of all of it.

Stockholm, March 12, 1851

Contemporary watercolor of Stockholm by Fritz von Dardel

Since Saturday evening I am here in Stockholm, our Swedish Paris, the dance-hungry’s Eldorado. Our journey here was miserable; unfavorable road conditions for the sleigh and grey, chilly weather. We ate bad food and slept miserably in cold, unpleasant lodgings, chatted with drunk coachmen, drank mulled wine, and finally arrived frozen and exhausted to our nice and beautiful Stockholm where we took in at Hotel Norrköping on Stora Nygatan. The day after our arrival, we waded through deep dirt to get to our friends on Kungsholmen where we became heartily received, had a pleasant evening, and dreamed us back to winter evenings at Krusenhof.

The view of Riddarholmen and the Old Town as seen from Kungsholmen. Augusta would have walked across the bridge; however, it was still March, so the lakes would have been frozen and the trees would have been bare.

Tante and Nanna have a small, sunny, and agreeable dwelling in the midst of a garden that extends right down to the lakeshore. In the summer, this little place might be a real paradise with flowers and light, fresh air and the view of Lake Mälaren’s blue surface, lush islands, and beaches to soothe the eyes, and glorious views of Riddarholmen and Södermalm and all the steamers that from different directions are rushing to their common goal at Riddarholmen’s quay.

Monday morning I went to visit Ribbingens and Bohemans. They were overly astonished to see me so unexpectedly in the capital city, and in the evening we saw the great opera, “A Tale of the Queen of Navarre.” There I met Count Figge Schwerin who escorted me home and was quite himself, much disposed to let his lady alone carry on the conversation and himself look like he was sleepwalking.

Mother and I were visiting Ribbingens today where, marvelously, Baron Fredrik happened to keep company and was as decent and agreeable as he can be when he wants to. We departed early, for I had a premonition that Lieutenant Wahlfelt could get the idea to transport his insipid personality to Clara {where Ribbingens lived}, which definitely would not have been pleasant.

We have left Lejdenfrost in the care of Wallenberg and we now traverse to the island of the poppy-crowned god.

Footnotes:

The family that Augusta visited at Kungsholmen was the family Hjort. The family had been Augusta’s closest neighbor and the children her best friends throughout childhood. In 1850, the family sold their estate, Krusenhof, and moved to Kungsholmen in Stockholm. The family members were Major Georg Leonard Hjort and his wife, Fredrika Elisabet Älf (referred to as Tante), and their children Aurora, Johanna (Nanna), Axel, and Erik.

Count Figge Schwerin is likely Fredrik Bogislaus (Fritz) von Schwerin who was born in Norrköping in 1825 (close in age to Augusta and from the same town). He was a captain in the army. Later in life, he became a banker, married, and had 2 daughters.

The family Ribbing and Boheman were good friends of the family.

Lejdenfrost was Augusta’s brother-in-law and benefactor.

The island of the poppy-crowned god is a poetic term for sleep – may be alluding to the effect of opium.

Johanna Jacobina Schubert marries Eric Sparre

There is only one wedding described in Augusta’s diary, the wedding of her cousin Carolina Schubert’s daughter Johanna (Hanna). Hanna was 2 years younger than Augusta and they were best friends. On August 7, 1851, Hanna married Count Lars Eric Georg Sparre. There are no descriptions of what the women wore and especially nothing about how the bride looked.

Given that Queen Victoria in 1840 had worn a white wedding dress, it is likely that the fashion in Sweden in 1851 also dictated a white dress. The pictures above are a few paintings from this time period of brides getting dressed.

“Hanna is married, but I will have to start at the beginning.

On the evening of the 6th of August, before the important day that would give Hanna the name, honor, and dignity of being a countess, her bridesmaids and the groomsmen were invited to merrily celebrate the last hours of her carefree time as a free woman.

I was the first to arrive. Shortly thereafter, Countess Sparre accompanied by her sister, an old dry and dull Mamsell, and two tall girls from Carlscrona, Miss Rappe and Mamsell Hjelm, both silent and inaccessible, arrived. Miss Ströberg, Mamsell Lenning, Rosa de Mare, Ada Sparre, and little Emelie Schubert were the other bridesmaids who, one after the other, made their entrance into the red parlor.

Soon, the groomsmen arrived. The first one to be presented was a Baron Rappe (cousin to the tall Miss Rappe) who displayed the forthright, trustworthy, and honest character that generally is associated with sailors and which makes you immediately comfortable and uninhibited in their company. Then followed a sharp-nosed Baron Falkenberg, a man I had previously met when he was a cadet. I think he was a little in love with Miss Rappe’s great merits as one always found him in her vicinity. Albert Schubert, the adventurer Ambjörn Sparre, Mr Victor Lenning, and the extraordinarily beautiful Baron Rehbinder were additional groomsmen. One of my Stockholm dance partners, Lieutenant Uggla, finished the lovable row of cavaliers.

After this short introduction, the dance began and continued until 10:30 in the evening without any particularly ingenuity and without any of us having made any advances in getting acquainted.

Thursday the 7th of August was the momentous day that would lead Hanna to a life of sorrow and despair or, with God’s grace, possibly to one with happiness and prosperity. Wållander officiated the ceremony in the most extraordinarily moving way; I think there was hardly any dry eye in the room. Weddings are all the same, a little monotonous and boring, but I had no reason to complain as my cavalier was a General.

The next day at breakfast, most of the wedding guests were assembled. General Boij and Lieutentant Colonel Tömgren conversed so diligently with me that they forgot to eat the stately breakfast. This gave rise to several sarcastic statements from the younger groomsmen, which I answered. My replies were not appreciated and made Baron Rappe my enemy. Baron Rehbinder and I, now at last, became a little more acquainted, but the two sailors and the two ladies from Carlscrona kept to themselves as peas in a pod and were impossible to form any closer acquaintance with.

I was asked to sing and I had to come forward to show my talent. It think it went reasonably well and I was thanked in the most flattering terms. The men sang a couple of quartets, very well, and finally we parted to get ready for the ball.

Twelve different uniforms swirled around the ballroom and offered a fairly lively view. The anticipation for the ball was high. As soon as I entered the hall I was asked to dance all the dances and, of course, I was not sad to feel so desirable. The ball lasted until 3:00 in the morning.”

Ball. Illustrerad Tidning 1858.

Footnote: Baron K.A. Rappe and his cousin Miss Torborg Rappe later married.

 

A Belated Happy Birthday, Fredrik Wahlfelt!

Paul Axel Fredrik Wahlfelt was born 200 years ago, on 19 February 1817.

It is very likely that Wahlfelt might not have celebrated his birthday. The featured image above is one of the few paintings of a Victorian era family birthday celebration. Celebrating birthdays became more common among well-off families at this time, but it was still more common to celebrate one’s namesday.

Lieutenant Wahlfelt in Fritz von Dardel’s painting

Anyway, remember Lieutenant Wahlfelt? He proposed to Augusta in the spring of 1849 and she rejected him. The truth is, she didn’t seem to think highly of him:

12 March 1851 (Augusta and her mother were visiting the Ribbing family)
“Mother and I was visiting Ribbingens today where, marvelously, Baron Fredrik happened to keep company and was as decent and agreeable as he can be when he wants to. We departed early, for I had a premonition that Lieutenant Wahlfelt could get the idea to transport his insipid personality to Clara {where Ribbingens lived}, which definitely would not have been pleasant.”

27 March 1851 (Augusta was invited to a glamourous ball given by Minister Wallensten)

“Lieutenant Wahlfelt was, thank God, resentful of me all evening so I was spared from hearing his stupid reasoning.”

Because Fredrik Wahlfelt (sometimes referred to as Paul or Pålle Wahlfelt) didn’t marry or have children, there is nobody to keep his memory alive. So to celebrate the 200 year anniversary of his birth, here are a few biographical notes.

A little more about Fredrik Wahlfelt

Photographs of Wahlfelt in the 1860s (Source: Riksarkivets porträttsamling)

Paul Axel Fredrik Wahlfelt was the second of 3 children born to lieutenant colonel Svante Fredrik Wahlfelt and Kristina Ulrika Tham. When Augusta met him, he was a lieutenant in Andra Lifgardet. He became captain in 1851 and major in 1862. From 1839, he was a teacher at the Gymnastic Central Insitute (GC) in Stockholm and later also at the military academies, Karlberg and Marieberg, where he taught gymnastics and weaponry. In 1851, he achieved the rank of senior teacher at GC, a title he kept until his death in the spa-city of Wiesbaden, 16 July 1873 (age 56).

Wahlfelt contributed to both theoretical and practical aspects of teaching gymnastics and weaponry. He also developed a bayonet fencing rifle.

Bayonet Fencing Rifle was a rifle modified for bayonet fencing.

 

 

 

One cadet at Karlberg described Wahlfelt in his memoir* :

P.H. Ling teaching in the gymnastics and fencing hall at the Gymnastic Central Institute. Drawing by Egron Lundgren 1839.

“In gymnastics and fencing, we had as a teacher the renowned fencing master Major Pålle Wahlfelt. He, as well as the majority of physical education teachers at that time, were not clear about the meaning of Ling’s admirable educational system and, therefore, taught gymnastics at Karlberg according to a system that was not a system at all. But he had a great ability to fire up us boys with his electrifying command and his energetic shouts.”

Bayonet fencing positions according to Ling’s system

“Seeing Major Wahlfelt fencing against two opponents was a delight. None of us has hardly reached a similar skill with said weapon.”

The fatal fencing accident of his nephew
Of the 3 siblings Wahlfelt, only Fredrik’s older brother Carl Svante Vilhem (1815-1886) married and had children. His oldest son, Nikolai Axel Fredrik Wilhelm, was born in 1861. At that time, the family lived in Finland. Axel obtained an MS degree and taught mathematics. He married Agata Magdalena Lönnblad. In 1893, he was living in Stockholm in order to work on his PhD in mathematics at the university.

Victorian fencing attire: Cruikshank’s picture of fencing on St. James Street in 1822

Axel was also a good fencer, just like his father and uncle Fredrik had been. On 20 February 1893, he had just finished a fencing lection with his instructor Drakenberg when he and a friend, Lieutenant Fid, continued with some free fencing. They were both wearing face masks as required. Somehow, the tip of Lieutenant Fid’s foil penetrated Axel’s mask between the nose and the left eye and Axel fell to the floor. The eyewitness account stated that there was no bleeding, but because he was lifeless, Lieutenant Drakenberg realized the urgency and called for a doctor. Axel died soon after arriving at the hospital, 32 years old.

Family descendants in the USA
At the time of the tragic accident, Axel’s wife Agata was pregnant with their first child. The child, Bror Axel Svante Wahlfelt, was born on 18 June 1893 in Helsinki, Finland.

What became of him? Ancestry.com has the clues.

Thirty-one years later, he is listed as a sailor on the Swedish vessel “Anten” arriving from Shanghai, China to Port Townsend, WA on 25 June 1924. He had joined the crew in Newcastle and is listed as deserted after arrival in the US. On 31 March 1931, Svante then marries Hilja Leskinen in Manhattan, NY. In 1942, he registers for the World War II draft, giving his address as 2301 Wyoming Ave, Washington, DC (in Kalorama, DC, and next to what is now the Embassy of Yemen).

Svante died in 1963. His wife Hilja and her sister Maria Wikberg both lived in Saline, MI until they passed away. Svante and Hilja’s daughter Ruth Ebba Märta was born in 1933, married a Christophersen, and had 3 sons, which are listed as living in Denmark. Her sister Maria, who of course is not genetically related to the Wahlfelts, had a daughter, Ethel Posldofer, who in turn had 2 sons and several grandchildren. Descendants who probably have no idea of their grand family history.

 

*Source: Kadettminnen av överste Claës Christian August Bratt 1927 (pdf available online)

Princess Lovisa arrives in Stockholm 15 June 1850

 

“In February 1850, I returned to Stockholm in the company of Mother and Lejdenfrost.

 I was forbidden to dance, and when I did not spend my evenings with Ekström or the Bohemans, which was often the case, one could be sure to find me at some concert at de la Croix Salon or in a lodge at the Grand Opera House.

In the spring, the Bohemans came down to the Kirsteinska Garden in the afternoons with their work. I was usually the lecturer, but often we were interrupted during our lectures by the Royal Secretaries Seippel and Strokirk, nicknamed The Inseparables. We then passed the evenings quite merrily in conversation and laughter.

 After having been completely drenched at Biskopsudden on the 15th of June and viewed all the finery at the engagement ceremonies, I accompanied the Bohemans and Hildegard to the steamer Linköping on a chilly, rainy morning on which they departed for Anneberg. I took a sad farewell of them and, afterwards, prepared myself for my own departure from the capital.”

 

The engagement and subsequent marriage of Crown Prince Charles (the future King Charles XV) and Princess Louise (Lovisa) of the Netherlands must have been the social event of the year. Princess Louise and her family arrived at Biskopsudden in Stockholm by the steamship Gefle on 15 June 1850. The major newspaper, Post- och Inrikes Tidningar, reported that even before noon, a large number of Stockholm’s inhabitants had gone to the landing site and to other areas through which the royal highness would pass on her way to Haga Palace.

And among those was Augusta. Yet, in the diary, there is only one sentence about the occasion, and it only describes how she got drenched and no other details. There is not even a mention of the 12-carriage cortège making its way to Haga. Nothing about the sounds of canons and of people cheering. How did she get to Biskopsudden, who accompanied her, and how was she dressed for the occasion?

Fortunately, there were 3 lithographs made of the occasion: the arrival of the princess (the feature picture above), the cortège with the prince riding next to the carriage with the princess, and the arrival of the princess at the royal palace in Stockholm for the wedding on 19 June 1850 (all by A. Weidel).

The Royal Family’s cortège from Biskopsudden to Haga the 15th of June 1850 (Lithograph by A. Weidel)
Karl XV and Lovisa’s arrival at the Royal Palace the 19th of June 1850 (Lithograph by A. Weidel)

 

 

 

 

 

 

 

 

 


Footnotes and Sources
Ekström and Bohemans:
Carl Henrik Boheman (1796-1868) was a Swedish professor of entomology. He had five children (age in 1850): Hildegard (24), Hildur Linnea (21), Carl Hjalmar (16), Ernst Henrik Georg (14), and Carl Rudolf Helmer (3). The family resided in Adolf Fredrik’s parish but also had an estate, Anneberg, located in Gränna community and on the northeast shore of Lake Ören. The estate is still in the family.

In 1850, Hildegard Boheman was already married to Carl Henrik Rudolf Ekström who later became a province governor. By the time of this diary entry, they had 3 children: Carl Henric Hjalmar (b. 12 Oct 1847), Anna Karolina Amelie (b. 16 Oct 1848), and Hildegard Sofia Christina (b. 14 Dec 1849).

Kirsteinska Garden (Kirsteinska Trädgården):
The garden was located in front of what is now the Central Train Station in Stockholm. It was popular among young people and provided outdoor concerts and other events.

Seippel and Strokirk:
Augusta misspelled Seippel as Zeipel in her diaries. In published records, Seipel (with one p) is also used although the correct spelling was Seippel. Otto Wilhelm Seippel (1820-1899) was 29 years old at time of the diary entry. He later had the title of “kansliråd” and married Christina Maria Svensson. One son, Otto Bernhard Seippel (born 04 June 1854) , is listed in the taxation records.

Wilhelm Theodor Strokirk (1823-1895) was 27 years old in 1850. He appears in several places in Augusta’s diary as does his future father-in-law.

 

 

 

Balls, theater performances, and concerts

“I spent the winter and summer of 1848 at home in deepest solitude, sometime interrupted by a visit from and to Krusenhof.

In January 1849 I traveled, accompanied by Hanna Schubert, to Stockholm where we stayed with baroness Ribbing. Naturally, we had a good deal of amusement: balls, theater performances, and concerts followed in pleasurable succession. Lessons in singing for Mr. Dannström and dutiful visits in return for the previous evenings’ pleasures occupied our mornings.

Erik Sparre came often and paid us visits and Lieutenant Wahlfelt did not come less often. In the spring he proposed to me, but I have always been told that my heart is petrified, and truth is, I believe that it is made of harder material than those of people in general. Anyway, the amiable Lieutenant’s proposal was rejected and in July I returned happy and free to my peaceful, quiet home.”

 

Krusenhof was the neighboring estate about 3 miles from Augusta’s home at Loddby. Her best friends, the family Hjort, lived there until December 1850 when they moved to Kungsholmen, Stockholm. More about the  family will come in later posts.

 

Hanna Schubert (b. 1829) was Augusta’s cousin’s daughter. She married Erik Sparre (mentioned above) in 1851.

 

Mr. Isidor Dannström was an opera singer and composer who also gave singing lessons. He was very famous in the 1840’s along with Jenny Lind. His portrait (right) was drawn by Joseph W. Wallander.

 

And who was Wahlfelt, the suitor? Paul Axel Fredrik Wahlfelt (b. 1817) was in 1849 a 32-year-old lieutenant who was an instructor in gymnastics and weaponry. He must have started his military education at an early age as the artist Maria Röhl included him in a drawing (left) of young cadets in 1832 .

In 1844, he was also included in Fritz von Dardel’s painting of the Burgesses’ Coronation Ball (top of page). This was a ball held in honor of the coronation of King Oscar I and Queen Josephine. The painting probably depicts the newly introduced dance – the polka. What is also interesting is that von Dardel tagged the dancers, as we do in today’s Facebook pictures. Therefore, we know that Paul Wahlfelt was the 5th gentleman from the left or the 4th gentleman from the right. It seems like that would be the tall, blond officer in the middle.

 

And as a footnote, Paul Wahlfelt never married.

 

Sources:
Fritz von Dardel’s painting: http://runeberg.org/dfvalbum/0017.html
Maria Röhl’s drawing of Wahlfelt: http://libris.kb.se/bib/10233865
Isidor Dannström:
http://www.swedishmusicalheritage.com/composers/dannstrom-isidor/
https://sv.wikipedia.org/wiki/Isidor_Dannstr%C3%B6m
Hanna Schubert:
https://www.geni.com/people/Johanna-Schubert/6000000006127401417

 

 

 

Will 1852 give us clear or cloudy days?

Augusta celebrated New Year’s Eve 1851 with her friends. She was 24 years old and life was still good:

Today we were invited to Bååthens1. There were 10 other guests from Norrköping, and of the most boring kind. Luckily there was a tiny Mrs Lundmark from Malmö who was particularly talkative, just like the hostess, and as Gustaf2 and I made up the 3rd and 4th members of this little coterie, we could congratulate each other on our contribution to making the evening pleasurable. A simple supper consisting of lutfisk and porridge as well as steak and a pastry was taken and the party ended around midnight. It is now 2 am, the new year has begun; will it give us clear or cloudy days? The future will give me answers.

The wonderful answer is that 1852 was a momentous year for Augusta – the year she met her future husband Adolf Leonard Nordvall.

_______________

1Seved and his wife Ulla (Ulrika Josefina) Bååth (http://www.skanskebatar.se/gen_public/000/0008/247.php)

2Gustaf Adolf Eklund, merchant who also built the New Theatre (Eklundska Teatern) in Norrköping

I was probably standing right on the spot …

My plan for today was to go Christmas shopping in Stockholm. Getting off the commuter train at the Central Station, I followed the crowd of early commuters through the hallways that lead to the subway escalators. But instead of going down another floor, I took the elevator up to the new station exit at Klarabergsgatan. I was met by the low, bright December sun blinding me as I stepped out on the street.

This new entrance, with a conveniently located Starbucks café, is two blocks from The Church of Saint Clare or Clara Church (Klara Kyrka). And that is when it hit me – I was probably standing right on the spot where Augusta used to stay on some visits to Stockholm. A Starbucks café, of all places!

The Stockholm families most often named in Augusta’s diaries are Ribbing, Boheman, and Hjort. The family Ribbing (“Ribbingens”) and the baroness Ribbing are always paid visits or they accompany Augusta to opera performances. She also stays with the Ribbings. So who were they? Through a digitalized census registry of inhabitants in Stockholm 1845, I discovered that she must have been Ulrika Charlotta Jacquette Fredriksdotter Sparre af Rossvik who was a widow of Seved Lennartsson Ribbing af Zernava. Her address was listed as Clara parish, quarter Uggleskants, house no. 5 on Clara Strand Street. And then, I realized that a detailed map of Stockholm in 1847 (http://stockholmskallan.stockholm.se/) was also digitalized and I could see where she had lived!!

As I turned my back to Starbucks and started walking in the direction of Clara Church, there are still some 3-story, old buildings nestled among later art nouveau residences and 20th century concrete buildings. These are the few that survived the widespread demolition-spree in the 1960’s. My quest is now to find old etchings of what Clara parish looked like in the mid-1800s and maybe some later photos of the old houses. Maybe even one of the Ribbing family house.