AP Rehder and his daughter Mathilde

At this time last year, Kerstin and I hatched the idea of making the same trip through Germany that our great-great-grandmother Augusta had made in 1847, and which she described in her diary. We thought it would be an interesting vacation trip. Then we realized that we needed to find out more about Augusta and her life in Sweden in the mid-1800s. We also wanted to share what we found, and we named the project Augusta’s Journey. And what a fun journey it has been!

Where has Augusta’s Journey taken us this last year?

Over the last year, Augusta’s Journey has evolved into a multifaceted research project – there are just so many topics that are interesting. In addition, we decided to make clothes that Augusta would have worn, and travel by similar means, following her travels described in her diary. And yes, she didn’t only travel to Germany, but made many trips throughout Sweden.

Kerstin and Sara
Kerstin and Sara

The highlight so far was our journey on Göta Canal where we, dressed in 1850s clothing, spent 4 days on M/S Juno, the world’s oldest registered cruise ship, making the same journey that Augusta described in her diary.

But the most positive outcome of our journey has been the new friends we have made over the year. And the positive comments from all who have been following our journey! Augusta’s family has certainly grown. So thank you for all kind support and interest!

What is next?

We thought that the journey through Germany, dressed in clothing of the time, might be nice to make this fall. But that would also mean making new clothes for colder weather. And travelling by train and river boats would necessitate some smart solutions to “luggage”. Whatever we bring, we will have to carry with us, and we would not have the same luxury as Augusta had – hiring local servants. The hatboxes would definitely have to be left behind (even though they were very good laptop bags on the Göta Canal cruise).

Lejdenfrost’s business contact: AP Rehder

Kerstin has already started researching Lübeck – our starting point in Germany. Gustaf Lejdenfrost, Augusta’s brother-in-law, had a business contact in Lübeck with the name of August Peter (AP) Rehder. In the summer of 1847, Augusta and her mother were invited to travel with Lejdenfrost to Lübeck and meet the family Rehder. This would also be a great opportunity for Augusta and her mother to do a sightseeing trip to Berlin, Dresden, Potsdam, Prague, Leipzig, and Hamburg.

Augusta’s Travel Journal in Germany

At 6 am on the 20th of June, 1847, Augusta, her mother, and Lejdenfrost arrived by boat to Travemünde and had breakfast “together with some members of the lovely Rehder family who had come to meet us.” After some sightseeing, they all traveled to Lübeck.

Adolph Menzel: Bauplatz mit Weiden

For dinner we were invited to Rehders and we spent the afternoon in a beautiful garden outside the city, where there was music and where we played games like ‘last couple out’, ‘one hits the third’ and others.”

Wouldn’t it be nice to find out more about the Rehder family? Who were they, and what happened to the family. Are there still descendants somewhere in the world, or some still in Lübeck who we could visit?

This week, Kerstin handed me the baton – she was already digging into the history of the Tesdorpf family in Lübeck and their relationship to Augusta’s friend Mina Tesdorpf. But she had found a hotel that might be Rehders’ old house – there was just some issues with the street numbers …

Hotel Anno 1216

Alfstrasse 38
Alfstrasse 38

“Behind the façade of one of the oldest brick buildings of Lübeck is a small, exclusive hotel like no other…” reads the welcome page of Hotel Anno 1216. The history of the house is indeed interesting “The historic building stands on the corner of Alfstrasse and An der Untertrave, thus occupying an important strategic position within the original street network of the newly founded settlement of traders. The first written reference to the house dates back to 1305.”

This is where my sleuthing starts. Of course there is a book one can buy about this house (Alfstrasse 38), but there are always online archives that will provide the same information. After some digging, I find the owner list of this house going back to 1305. And yes, AP Rehder bought the house in 1853 and sold it in 1863.

So, when Augusta visited in 1847, Rehder had not yet bought Alfstrasse 38, but lived right across the street from Hotel Anno 1216, at the opposite corner of Alfstrasse and An der Untertrave (today Alfstrasse 41).

The issue with the street numbers can quickly be resolved. The street numbers changed over the years but those on a city map from 1840 match Rehder’s addresses in the digitally available address books of inhabitants of Lübeck at the time.

Carolina Mathilde Rehder

Besides AP Rehder, his daughter Mathilde is mentioned by name. She became a good friend to Augusta, and when, after 4 weeks in Germany, they returned to Sweden, Mathilde and her father came along. Mathilde spent a couple of weeks with Augusta, first in Stockholm and then at her home, Loddby. Augusta was 20 years old and Mathilde was 19 and they became best friends. I wonder if Mathilde also kept a journal?

“In Stockholm we spent a few days to show Mathilda its beautiful surroundings and places that could be worth seeing. She found our capital, if not magnificent or spectacular – characteristics that we ourselves must admit it does not possess – at least, as she expressed, “sehr gemüthlich”, and our park, Djurgården, won her undivided approval.

It does not take many days to take in all of Stockholm’s “Sehenswürdigkeiten” and on the 3rd day after our arrival, we traveled with Raketen and Captain Sandberg to Norrköping.

Mathilda spent two weeks at Loddby; then her father came to pick her up and Lejdenfrost and I accompanied them to Norsholm, where we bade them farewell after a long and nice time together.”

So what happened to 19-year old Mathilde?

She married Cay Dietrich Lienau and had several children, the exact number we don’t know. Three children can be found on various genealogy sites: Paul Adolph Wilhelm (b. 1855), Cay Dietrich (b. 1867) and Louise “Lizzie” (b. 1869).

Louise emigrated to USA. She was married to Wilhelm Grojitzki who was also born in Germany. They settled in Michigan and had 3 children:
Amand Clara, born in 1889, married William Fredrick Lienau and had 5 children,
Clara Louise, born in 1891, married George H. Lozer, and
Alma Rowena, born in 1904, married Theodore John Kratt and had 2 children

So at least in the US, someone can call Mathilde his or her great-great-grandmother, just like Augusta was ours.

I wish he may go to the East Indies, that I may have my shawl.

Jane Austen died 200 years ago and her legacy is celebrated this year with exhibitions and events. Kerstin and I visited Skokloster Castle last week. Their exhibition, Jane Austen’s World, featured costumes worn in Austen’s movies, including the famous soaked shirt worn by Mr Darcy in Pride and Prejudice. A theme in the exhibition was marriage as a guarantor of family survival. Girls’ education focused on studies that would secure a future husband.

Our Augusta was fortunate in that she had a wealthy benefactor – her brother-in-law, Gustaf Lejdenfrost. She was not eager to get married, and when she did fall in love with her future husband, Lejdenfrost was also not in favor of her getting married. He would make sure that she could live comfortably without having to get married.

In the spirit of the Jane Austen celebration, I decided to re-read Mansfield Park. The following quote made me smile because it was so timely:

“Fanny, William must not forget my shawl, if he goes to the East Indies; and I shall give him a commission for anything else that is worth having. I wish he may go to the East Indies, that I may have my shawl. I think I will have two shawls, Fanny.”

For the last couple of days, Kashmir shawls have been on my mind. I guess, having a relative travelling to the East Indies would have been the way you would get one. If you were not fortunate to get a real Kashmir shawl, you might be able to get a locally produced copy.

I wrote about my hunt for Paisley shawls in May; then 3 weeks ago, my travels took me to Edinburgh. The first day, we did some sightseeing and visited charity and antique shops. It was there, in a back room, on top of a pile of other textiles that I spotted the now so familiar paisley pattern. I started pulling in the pile and realized that it was an antique shawl – with a few holes and matted fringes. What would you expect with a, maybe, 180-year-old shawl? The shop keeper and I agreed on a price and she stuffed the shawl into a plastic bag for me.

It wasn’t until we got home that I realized the size and beauty of this shawl. And it wasn’t until I got back to DC, and spent an afternoon in the textile library at The George Washington University that I realized that my shawl seems quite unique among published pictures of Kashmir and Paisley shawls. Since then I have spent many hours scrolling through online images of genuine Kashmir shawls and those made in France and the UK during the 1800s. I have also been reading all I can find about the shawl industry in Edinburgh and Paisley. I am no closer to assessing where and when the shawl was made. There is one tell-tales though: as I can discern, the warp is silk, which points to a European made shawl.

So here is the beauty, annotated with name of the parts of a Kashmir shawl:

My Paisley Shawl
My Paisley Shawl

Size

The shawl is 306 cm long. The width at one end is 154 cm and at the other, 157 cm. The warp is silk and the weft is wool. According to historical records from Paisley, there was also a fine lace cotton thread used in the ground color weft for added strength – called a “sma’ shot”.

Material

The silk warp is dyed in 3 different colors: gold, light red, and light yellow. Besides the ground color (cream), there are 4 colors used in the weft: crimson, light red, olive, and a very light turquoise.

Weave

The shawl is woven in 3:1 twill which can be seen in the fringe gate.

3:1 Twill
3:1 Twill

This is typical of European shawls; genuine Kashmir shawls are woven in 2:2 twill. The back side is typical of the European shawls in that the loose wefts were clipped and removed after the shawl was taken off the loom. This reduced the weight of the final shawl.

Design

The typical “harlequin fringe gates”, those colorful squares at the end of the shawl, are 2 cm high. When harlequin gates first appeared on shawls in the 1820s, this is how high they were. They then became larger – having doubled in height by 1845 – and they were more ornate.

The Fringe Gate
The Fringe Gate

The field is quite large and cream (pale) colored. The pallu is also quite large with 8 tall, intricate butas (paisley shapes). What is so beautiful with this shawl are the stylistic flowers and fronds that stretch into the plain, cream-colored field. According to Rehman and Jafri, this motif started to appear on European shawls in the 1830s.

Augusta's Journey Paisley Shawl
Augusta’s Journey Paisley Shawl

Final notes

I would love to find out more about this shawl – nailing down the time period and the manufacturing site. Was is made on a draw-loom or on a Jacquard loom? And should I mend the holes?

While reading about the shawl manufacturing in Paisley, I realized the similarities with Norrköping and the life of Augusta. Both Paisley and Norrköping were textile towns that flourished in the 1800s. Paisley had long been a center for linen and wool textiles – and even silk manufacturing. In the 1820s, the Paisley shawl manufacturing was taking off. Unfortunately, shawl manufacturing was just about the only industry in Paisley and, when fashion changed and demand declined, there was no alternative work for those employed in the industry. By 1880, the manufacturing of Paisley shawls had come to an end.

Augusta lived a privileged life in Norrköping because of the wool mills and the textile industry. Her brother in law and benefactor owned a wool mill as did her cousin’s husband. So, did fashion in Norrköping at this time also dictate large wool shawls? And if so, were they aware of the European fashion of Kashmir shawls? Or did they buy locally produced shawls?

I wish I knew.

Below are some more images of the shawl:

Back side of gallery
Back side of gallery
Close up of gallery
Close up of gallery
Fringe gate from back side
Fringe gate from back side
Fringe gate
Fringe gate
Detail
Detail
Detail
Detail
Detail
Detail

A Significant Letter

Gustaf Leidenfrost's seal
Gustaf Leidenfrost’s seal

Of course, today we usually don’t get letters – we get emails and text messages. But this could have been a letter – and it was so significant.

Kerstin and I received an email from a 5th degree cousin who had stumbled upon our blog. That is, our respective grandparents’ grandparents’ fathers were brothers – Augusta’s father (Johan Peter Söderholm) and Carl Adam Söderholm.

Our cousin belongs to the family Schubert whose members are frequently mentioned in Augusta’s diary. The Schubert family lived in Norrköping and also had a country home, Fullerstad, close to Söderköping. Kerstin and I visited those places earlier this spring and wrote about two of the sisters Schubert, Mina Schubert and Hanna Schubert.

What is so significant is that we have, in parallel, been researching our families’ lives! I am sure we all have unanswered questions about our families.

One question I have been trying to answer is how Augusta’s sister Amalia met her husband Gustaf Leidenfrost (several different spellings of his last name exists. )

Fredrik Gustaf Leidenfrost was born on Christmas Eve, 1798, in Vimmerby. His parents were Christian Friedrich Leidenfrost (1748-1823), an apothecary, and Birgitta Maria von Sydow (1768-1810); he was one of their 7 children.

From his birth until he marries Augusta’s sister Amalia in 1832, at age 34, we don’t know much about his life. We know that when they got married, he was one of the successful textile-mill owners in Norrköping and that he had bought the estate, Loddby.

An interesting coincidence is that on the Schubert side of the family, Augusta’s close cousin, Carolina, also had married one of the leading textile-mill owner in Norrköping – Johan Jacob Schubert – in 1824.

Norrköping must have been a very small, although increasingly important town in the mid-1800s, with textile-mill owners even being connected by family ties.

Maybe we will find out more about the connections between our two families over coffee with our new-found cousin tomorrow!