April 2017 - Augusta's Journey

In need of a hatbox

I have been in need of a hatbox ever since I successfully constructed a bonnet. Kerstin already has two hat boxes – one that she made from a round IKEA gift box and one that she received from a good friend. And of course I really wanted to make one too.

This week we visited my cousin and talked about Augusta’s Journey and of obtaining material for making an 1850s wardrobe. We have been getting most of that (lace, fabric, etc) from thrift store curtains and table clothes. Relatives have also given us boxes of lace and turn-of-the-century night gowns. We are so excited about getting everything made for our Göta Canal cruise at the end of May.

“I think I have a hatbox in the basement”, said my cousin, “it doesn’t look very nice but if you can use it, you can have it.”

The hatbox was indeed interesting with shipping information and stamps on it. The box was shipped in 1931 from Hartley & Boedeker Ltd Manufacturers in Manchester, England to Hadar Carlsson’s hat store in Köping, Sweden.

The postage consisted of 3 stamps with George V image and a Swedish stamp asking for an additional 10 öre as the postage had not been enough for the shipment. So before I did anything to this hatbox, I saved the labels and stamps.

Then the fun began. First, I had to make a new lid as the original one was not in the greatest shape. That was done using cardboard and glue.

For coverage, Kerstin suggested that we use fabric for bookbinding to cover the outside and nice bookbinding paper from Washington DC for the interior. To cover the lid, I used a remnant piece of IKEA furniture fabric.

Last but not least, I used an old leather belt to hold the lid in place.

Krusenhof’s poplars still nod a friendly welcome

Two weeks ago, Kerstin and I visited the city museum in Norrköping. One special exhibition just happened to feature historical buildings threatened to be demolished. And when we walked in, we happened upon a seminar about conserving Sweden’s cultural heritage. Both the exhibition and the talk included Krusenhof, the estate where Augusta’s best friends and neighbors had lived.

Sadly, the Krusenhof mansion, orangery, pavilion, and several other buildings on the property are listed as threatened (Swedish: hotad) to be demolished. However, these buildings only date from the turn of the century and had already replaced the buildings that were present during Augusta’s time. So, what could we still see that was there during Augusta’s time? Trees? Would there still be an orchard?

The next morning, we set off to visit Krusenhof. We tried to envision arriving in a carriage under the tall poplars that Augusta had described as nodding a welcome to the visitor. And yes, there were tall poplars shading a carpet of blue Scilla.

We took a walk down some overgrown terraces to what would have been a lawn. And there stood a single, very old tree. From the dry leaves on the ground, we guessed that it was a linden tree.

A solitary Linden tree on the lawn of Krusenhof — A solitary linden tree on the lawn of Krusenhof

On the other side of the lawn was a beautiful little forest with some blue and purple anemones and violets. There was also an ancient, giant oak tree.

And then we came upon the forgotten orchard. The trees were untrimmed and covered with lichens, but the branches had plenty of little leaf buds. We took a little branch with a bud and 2 weeks later it was blooming – a memory of Krusenhof!

Dress Detectives

– Do you remember when we tried on Augusta’s dresses in the attic of Aunt Agneta? Kerstin asked me.

No … I didn’t remember that. I remember staying in the 18-century washhouse by the lake shore in which our aunt had lived during our childhood summers.

– Sure you were there too! It was probably in 1977. There was an old trunk there with two dresses. They were both beautiful ball gowns. One was made of pink silk taffeta and the other one was a purple velvet dress. And they were so small – there were bones sewn into the bodice and I couldn’t even fit into it because the waist was so small – and I was just a teenager!

I wish I remembered, but I didn’t. So, were they Augusta’s gowns and where were they now? A few phone calls to cousins shed some light on the dresses. The ones Kerstin had tried on were probably gone. But there was still a suitcase with dresses that our aunt had kept, and our cousin invited us to come and see them.

Nestled in tissue paper were lace blouses, silk shoes, finely knitted stockings, lace cuffs, parasols, and dresses! The first dress we uncovered was a bright purple, silk taffeta dress. It had a form-fitted bodice and a separate skirt. Kerstin and I examined it as if we were some dress detectives. Could it be Augusta’s?

First we looked at the skirt and realized right away that the model was later than those in the 1850s and probably even Edwardian. The bodice, with a high neck, also pointed to a later date.

And then we realized that some seems were machine stitched.

The first European sewing machine company was founded in 1863 and in Sweden, Husqvarna started making sewing machines in 1872.

Could it have been Augusta’s daughter, Gerda’s? Gerda was born in 1854 and if it had been hers, she would probably have worn in around 1874. We all agreed that it was not likely Gerda’s as she was not very tall, and this dress was made for a tall person. The silk shoes in the trunk were also a European size 40 (US 9.5).

If it was not Gerda’s could it have been her daughter, Eva’s? Eva, our grandmother, was born in 1884 and if it would have been hers, she might have worn it around 1904.

The dress had a train in the back which would have brushed the floor. This was typical of the first decade of the 1900s. The high neck was also popular at this time.

And looking at fashion plates from 1907-1908, there are some very similar styles.

Admitting that we are only amateurs at fashion history, we do believe that the clothes in the trunk belonged to our grandmother and not our great-great grandmother, but that is also really cool!

And who knows, maybe someone in the family has a photograph of Eva in this dress!!!

The country side is so wonderful at this time of the year

“The country side is so wonderful at this time of the year.”

Augusta described her country surroundings in the spring – the blue sky, the song of the larch, the warmth of the sun – and Kerstin and I decided that after a winter of research, we should do an outing to Augusta’s home.

Loddby. Ink drawing by Sara Azzam. — Loddby as it might have looked in 1847. Ink drawing by Sara Azzam.

Augusta lived at Loddby, an estate located just outside Norrköping. Her brother-in-law, Gustaf Lejdenfrost, was a textile-mill industrialist who had bought the estate in 1832. Our first stop will be Loddby and its surroundings.

Lejdenfrost’s textile manufacturing was in Norrköping, so the next stop will be the old industrial sites and the city museum.

And then there is Krusenhof where Augusta’s best friends lived. We will visit and see what is left of what might have been there in the 1840’s. The house has been rebuilt and maybe only some very old oak trees might still be there. But, we will at least get the feeling of a country walk in spring time.

Further away, close to Söderköping, is where Augusta’s cousins, the Schubert family, lived and where Augusta met her future husband. It will be exciting to see the estate and meet the present owners.

We will also visit Åtvidaberg and find out more about Augusta’s best friends, the family Hjort. And that is one of the most rewarding aspects of Augusta’s Journey so far – new Facebook friends, old friends, and family members who share our excitement about the journey! We are really looking forward to exchanging information about Augusta and her friends with others who have a similar interests and have other archives.

Stay tuned to our travel log next week.